ESSAYS
ESSAYS
Las que no iban a salir: written works across philosophy and religion
A thought on the film, Romero, directed by John Duigan—
“The desecration of a church altar by a machine gun was a notable scene, as it showed Romero’s falter under the barrel of a gun, but leads to the powerful moment of him gathering followers to hold mass in the Church, despite the occupation of the military. It echoes the story of Daniel in the Lion’s Den, where the clash between worldly threats and God’s protection manifests.”
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